Language is portrayed as an absence and presence that conceals and reveals being. The notion of the “limit-experience” hinges upon the idea that language is a counter-world to the real. His récit will be examined here accordingly in terms of the way it enacts a questioning of the “limit-experience”. Further, I suggest that Blanchot provides a unique account of what it is to put being into question but that he does so in literature. I argue that Thomas’ “limit-experience” depicts a missed experience that includes both self and the other relations. Blanchot emphasizes the limits to thought and knowledge that is outside of the lived experience. These symptoms are important for understanding the “limit-experience” because they show the corrosive force of language on identity. I examine Blanchot’s notion of the limit-experience through Thomas’ symptoms of psychosis and melancholia. This thesis explores Maurice Blanchot’s notion of the “limit-experience” through a close reading of Thomas the Obscure.
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